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= Writing Editing Stages and Types =
= Comprehensive Editing Pass Checklist =


== Standard Editing Order ==
== 1. Developmental / Substantive Editing ==
Editing typically proceeds from big-picture to fine details:
Big-picture work. Focus on whether the story works as a whole before polishing language.


# '''Developmental / substantive editing''' — Structure, plot, characters, overall pacing, themes, scene-level effectiveness, and whether the narrative works as a whole.
=== Structure & Plot ===
# '''Line editing''' — Style, voice, flow, rhythm, word choice, sentence-level clarity and impact.
* Check overall plot structure (beginning, middle, end; rising action, climax, resolution).
# '''Copy editing''' — Grammar, spelling, punctuation, syntax, consistency, and style-guide adherence.
* Evaluate pacing of the story as a whole (too slow? too rushed? sagging middle?).
# '''Proofreading''' — Final catch of typos, formatting glitches, and remaining minor errors.
* Ensure major plot points land with proper setup and payoff.
* Look for plot holes, unresolved threads, or logic gaps.
* Confirm cause-and-effect chain of events feels natural.


'''Note:''' Doing line or copy work too early can waste effort, because developmental changes often require rewriting large sections.
=== Characters ===
* Verify character arcs feel complete and earned.
* Check consistency of character personality, voice, goals, and motivations.
* Ensure characters change (or deliberately don’t) in believable ways.
* Watch for characters acting out of character without good reason.


== Line Editing vs Copy Editing ==
=== Scenes & Grounding ===
* Make sure every scene has a clear purpose (advances plot, develops character, or deepens theme).
* '''Ground dialogue''' — Avoid “dialogues in a vacuum.” For every conversation, check that “what’s going on around them” is present: action beats, body language, setting details, sensory information, and what characters are doing while they talk.
* Ensure scenes feel fully rendered and immersive rather than floating heads talking.
* Check transitions between scenes for smoothness.


{| class="wikitable"
=== Themes ===
|-
* Confirm core themes (friendship, duty, perseverance, etc.) are actually present and woven through the story.
! Aspect !! Line editing !! Copy editing
* Look for opportunities to strengthen thematic resonance through character choices, conflicts, symbols, or plot events.
|-
* Ensure themes emerge organically rather than being stated too bluntly.
| '''Main focus''' || Style, voice, flow, pacing, clarity, word choice, rhythm || Grammar, spelling, punctuation, syntax, consistency, style-guide rules
|-
| '''Core question''' || Is this the strongest / most effective way to say it? Does it read well? || Is this correct and consistent?
|-
| '''Nature''' || More creative and subjective || More objective and rules-based
|-
| '''Typical stage''' || After developmental editing, before copy editing || After line editing, before proofreading
|-
| '''Examples of work''' || Tightening awkward phrasing, improving sentence rhythm, strengthening word choice, smoothing transitions, preserving/enhancing author voice, fixing repetition or clunky structure || Fixing typos, comma rules, subject-verb agreement, capitalization, hyphenation, consistent spelling of names/terms, applying Chicago Manual of Style (or similar), light fact-checking
|}


'''In short:'''
=== Point of View & Perspective ===
* Line editing = polish for beauty, impact, and readability.
* Check POV consistency (no head-hopping unless intentional).
* Copy editing = polish for correctness and consistency.
* Ensure the chosen POV serves the story and character.
* Verify the narrative distance feels appropriate.


'''Simple example'''
=== World & Continuity ===
* Check internal consistency of world-building, rules, timelines, and details.
* Flag any contradictions in setting, magic/technology systems, or established facts.


Original: 
== 2. Line Editing ==
“Wiley stood out on his Montana porch watching the sunset ambiguously. The boiling orb descended under the palm-trees.
Sentence- and paragraph-level work. Focus on how the writing reads and feels.


* A '''line editor''' might question “boiling orb” as a description, note that “ambiguously” adds little, and suggest clearer, stronger phrasing that better matches the tone or scene.
* Improve flow and rhythm of sentences and paragraphs.
* A '''copy editor''' would more likely fix the missing comma, the incorrect preposition or hyphen, and flag the factual issue (palm trees in Montana).
* Strengthen word choice (replace weak, vague, or repetitive words).
* Tighten prose — cut unnecessary words, filler, and redundancy.
* Enhance clarity and precision of meaning.
* Preserve and strengthen the author’s voice and tone.
* Smooth awkward phrasing or clunky constructions.
* Adjust sentence variety and length for better pacing within scenes.
* Ensure emotional beats and subtext land effectively.
* Balance dialogue with narrative and description so neither overwhelms the other.
* Check that descriptions and action feel vivid without overwriting.


There can be some overlap, and some editors combine line + copy into a single pass. Order still matters: stylistic changes should generally come before mechanical cleanup.
== 3. Copy Editing ==
Technical correctness and consistency. Focus on rules and polish.


== My Specific Editing Passes ==
* Correct grammar, spelling, and punctuation.
* Fix syntax issues and unclear sentence structures.
* Ensure consistency of names, terms, capitalization, hyphenation, and spelling (create/update a style sheet).
* Apply a chosen style guide (e.g., Chicago Manual of Style).
* Check for consistency in numbers, dates, measurements, and formatting.
* Light fact-checking of real-world details, timelines, and continuity.
* Verify dialogue punctuation and attribution are correct and consistent.
* Flag remaining continuity or logic issues that slipped through earlier passes.


=== 1. Grounding dialogue (avoiding “dialogues in a vacuum”) ===
== 4. Proofreading ==
'''Type:''' Primarily developmental / scene-level (content/substantive) editing.
Final surface-level check after all revisions are complete.


I check that scenes feel grounded and fully rendered by adding “what’s going on around them”: action beats, body language, setting details, sensory information, and what characters are doing while they talk.
* Catch remaining typos, misspellings, and missing/extra words.
 
* Check for repeated or missing punctuation.
* Pure talking-head dialogue that floats without context is a common scene-craft issue.
* Verify formatting (paragraph breaks, scene breaks, italics, etc.).
* Fixing it strengthens immersion and scene effectiveness.
* Look for layout issues if the text is already typeset (widows, orphans, bad breaks).
* It can lightly overlap with line editing (balancing the rhythm of dialogue + description), but the core question—“Is this scene complete and alive?”—belongs to the developmental stage.
* Do a final read-aloud pass for anything that still sounds off.
 
=== 2. Ensuring themes are present ===
'''Type:''' Developmental editing.
 
I do a pass to confirm that themes (friendship, duty, perseverance) come through in the story as a whole—via plot events, character choices, conflicts, resolutions, and motifs.
 
This is high-level narrative work, not sentence style or mechanical correctness.
 
'''Placement:''' Both of these passes belong early (developmental stage), before investing heavily in line or copy polishing.
 
 
== Chapter X – Theme Focus ==
 
'''Primary Theme:''' Friendship / Duty / Perseverance
 
'''Secondary Theme:''' Optional
 
'''Key Moment:'''
Describe the main scene or decision that shows the theme
 
'''Symbol / Image:'''
Recurring object, action, or visual (e.g. broken sword, shared promise, storm)
 
'''How It Advances the Arc:'''
How this chapter pushes the overall themes forward


== Scratch Pad ==
== Scratch Pad ==

Latest revision as of 20:51, 6 August 2026

Comprehensive Editing Pass Checklist

1. Developmental / Substantive Editing

Big-picture work. Focus on whether the story works as a whole before polishing language.

Structure & Plot

  • Check overall plot structure (beginning, middle, end; rising action, climax, resolution).
  • Evaluate pacing of the story as a whole (too slow? too rushed? sagging middle?).
  • Ensure major plot points land with proper setup and payoff.
  • Look for plot holes, unresolved threads, or logic gaps.
  • Confirm cause-and-effect chain of events feels natural.

Characters

  • Verify character arcs feel complete and earned.
  • Check consistency of character personality, voice, goals, and motivations.
  • Ensure characters change (or deliberately don’t) in believable ways.
  • Watch for characters acting out of character without good reason.

Scenes & Grounding

  • Make sure every scene has a clear purpose (advances plot, develops character, or deepens theme).
  • Ground dialogue — Avoid “dialogues in a vacuum.” For every conversation, check that “what’s going on around them” is present: action beats, body language, setting details, sensory information, and what characters are doing while they talk.
  • Ensure scenes feel fully rendered and immersive rather than floating heads talking.
  • Check transitions between scenes for smoothness.

Themes

  • Confirm core themes (friendship, duty, perseverance, etc.) are actually present and woven through the story.
  • Look for opportunities to strengthen thematic resonance through character choices, conflicts, symbols, or plot events.
  • Ensure themes emerge organically rather than being stated too bluntly.

Point of View & Perspective

  • Check POV consistency (no head-hopping unless intentional).
  • Ensure the chosen POV serves the story and character.
  • Verify the narrative distance feels appropriate.

World & Continuity

  • Check internal consistency of world-building, rules, timelines, and details.
  • Flag any contradictions in setting, magic/technology systems, or established facts.

2. Line Editing

Sentence- and paragraph-level work. Focus on how the writing reads and feels.

  • Improve flow and rhythm of sentences and paragraphs.
  • Strengthen word choice (replace weak, vague, or repetitive words).
  • Tighten prose — cut unnecessary words, filler, and redundancy.
  • Enhance clarity and precision of meaning.
  • Preserve and strengthen the author’s voice and tone.
  • Smooth awkward phrasing or clunky constructions.
  • Adjust sentence variety and length for better pacing within scenes.
  • Ensure emotional beats and subtext land effectively.
  • Balance dialogue with narrative and description so neither overwhelms the other.
  • Check that descriptions and action feel vivid without overwriting.

3. Copy Editing

Technical correctness and consistency. Focus on rules and polish.

  • Correct grammar, spelling, and punctuation.
  • Fix syntax issues and unclear sentence structures.
  • Ensure consistency of names, terms, capitalization, hyphenation, and spelling (create/update a style sheet).
  • Apply a chosen style guide (e.g., Chicago Manual of Style).
  • Check for consistency in numbers, dates, measurements, and formatting.
  • Light fact-checking of real-world details, timelines, and continuity.
  • Verify dialogue punctuation and attribution are correct and consistent.
  • Flag remaining continuity or logic issues that slipped through earlier passes.

4. Proofreading

Final surface-level check after all revisions are complete.

  • Catch remaining typos, misspellings, and missing/extra words.
  • Check for repeated or missing punctuation.
  • Verify formatting (paragraph breaks, scene breaks, italics, etc.).
  • Look for layout issues if the text is already typeset (widows, orphans, bad breaks).
  • Do a final read-aloud pass for anything that still sounds off.

Scratch Pad

  • Additional
    • flat additions to the base value
    • sum with each other
  • Percent Increased/Reduced the base value
    • Percent change
  • Percent More/Less the modified value
    • Applied after increased/reduced


  1. Sum all Added and Base values -> 10
  2. Sum all Increased into one multiplier -> 1.45
  3. Multiply Added/Base total x Increased multiplier ->10x1.45=14.5
  4. Multiply by each More separately -> 14.5 x 1.05 x 1.3 x 1.1 = 21.77
  5. Multiply by Amplified separately


Naval Combat

  • Long Range (up to 250,000 km) -- lasers + railguns
  • Missile Range (up to 1,000,000 km)
  • Close range (under 20,000 km) --ion beams
    *ion beams are short range, but cause massive internal thermal and radiation effects.


Marine Hierarchy

  • Fire Team
  • Squad
  • Platoon
  • Company
  • Battalion
  • Regiment
  • Brigade (1st Sylvan Marines)
  • Division



navy will perform air cavalry and troop transport role with gunships. I need to flesh out the marine recon role.

Increase the length of the prologue, to have more fleeing, near death experiences, etc.,

Add the character artwork as commissions prior to a design change for the uniforms. They'll serve as bonus artwork on the special edition hardcovers.
Here is a list of characters

Here is a list of warships

Here are the Species and Professions.

http://robertplewis.com/index.php/Category:Naval_Weapons

http://robertplewis.com/index.php/System_Titles