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== Scratch Pad ==
= Comprehensive Editing Pass Checklist =


navy will perform air cavalry and troop transport role with gunships. I need to flesh out the marine recon role.
== 1. Developmental / Substantive Editing ==
Big-picture work. Focus on whether the story works as a whole before polishing language.


Increase the length of the prologue, to have more fleeing, near death experiences, etc.,
=== Structure & Plot ===
<br>
* Check overall plot structure (beginning, middle, end; rising action, climax, resolution).
Here is a list of [[:Category:Characters|characters]]
* Evaluate pacing of the story as a whole (too slow? too rushed? sagging middle?).
* Ensure major plot points land with proper setup and payoff.
* Look for plot holes, unresolved threads, or logic gaps.
* Confirm cause-and-effect chain of events feels natural.


Here is a list of [[:Category:Terran Warship|warships]]
=== Characters ===
* Verify character arcs feel complete and earned.
* Check consistency of character personality, voice, goals, and motivations.
* Ensure characters change (or deliberately don’t) in believable ways.
* Watch for characters acting out of character without good reason.


Here are the [[Races and Professions|Races and Professions]].
=== Scenes & Grounding ===
* Make sure every scene has a clear purpose (advances plot, develops character, or deepens theme).
* '''Ground dialogue''' — Avoid “dialogues in a vacuum.” For every conversation, check that “what’s going on around them” is present: action beats, body language, setting details, sensory information, and what characters are doing while they talk.
* Ensure scenes feel fully rendered and immersive rather than floating heads talking.
* Check transitions between scenes for smoothness.


http://robertplewis.com/index.php/Category:Naval_Weapons
=== Themes ===
* Confirm core themes (friendship, duty, perseverance, etc.) are actually present and woven through the story.
* Look for opportunities to strengthen thematic resonance through character choices, conflicts, symbols, or plot events.
* Ensure themes emerge organically rather than being stated too bluntly.


*need a page to promote artists.
=== Point of View & Perspective ===
* Check POV consistency (no head-hopping unless intentional).
* Ensure the chosen POV serves the story and character.
* Verify the narrative distance feels appropriate.


http://robertplewis.com/index.php/System_Titles
=== World & Continuity ===
* Check internal consistency of world-building, rules, timelines, and details.
* Flag any contradictions in setting, magic/technology systems, or established facts.


== 2. Line Editing ==
Sentence- and paragraph-level work. Focus on how the writing reads and feels.


* Improve flow and rhythm of sentences and paragraphs.
* Strengthen word choice (replace weak, vague, or repetitive words).
* Tighten prose — cut unnecessary words, filler, and redundancy.
* Enhance clarity and precision of meaning.
* Preserve and strengthen the author’s voice and tone.
* Smooth awkward phrasing or clunky constructions.
* Adjust sentence variety and length for better pacing within scenes.
* Ensure emotional beats and subtext land effectively.
* Balance dialogue with narrative and description so neither overwhelms the other.
* Check that descriptions and action feel vivid without overwriting.


=The Blessed Son Outline=
== 3. Copy Editing ==
Technical correctness and consistency. Focus on rules and polish.


== Act 1 – Setup / Descent (Prologue thru Chapter 1) ==
* Correct grammar, spelling, and punctuation.
Ordinary World → Inciting Incident → Plot Point 1 (Forced withdrawal into isolation/risk)
* Fix syntax issues and unclear sentence structures.
* Ensure consistency of names, terms, capitalization, hyphenation, and spelling (create/update a style sheet).
* Apply a chosen style guide (e.g., Chicago Manual of Style).
* Check for consistency in numbers, dates, measurements, and formatting.
* Light fact-checking of real-world details, timelines, and continuity.
* Verify dialogue punctuation and attribution are correct and consistent.
* Flag remaining continuity or logic issues that slipped through earlier passes.


=== Descent Phase – Broken Network & Abdication ===
== 4. Proofreading ==
'''Familial/Social Network Breaks / Pleas Ignored, Power Abdicated''' 
Final surface-level check after all revisions are complete.
  Open with core community, then a shattering of that network via crisis. Conor desperately tries to salvage the situation, but his efforts fail.


* Prologue: Conor witnesses the beginning of the apocalypse while riding a bus cross country. Katy, Kaylee, and McKenna follow him into a sporting goods store, then accompany him as they flee outside of cities in an attempt to stay away from the monsters. They're eventually surrounded and killed.
* Catch remaining typos, misspellings, and missing/extra words.
** Bus Ride
* Check for repeated or missing punctuation.
** Portals open, tentacles and smaller beings pour from the sky
* Verify formatting (paragraph breaks, scene breaks, italics, etc.).
** Abandon the bus, get supplies, begin heading North
* Look for layout issues if the text is already typeset (widows, orphans, bad breaks).
** fights, wolves, near-drowning and hypothermia
* Do a final read-aloud pass for anything that still sounds off.
** heroic last stand


'''Plot Point 1 (End of Act 1):''' 
== Scratch Pad ==
  Conor is truly isolated and at risk, and has no choice but to venture into the unknown.


* Chapter 1: Conor and his found family find themselves in a deity's lobby where they're introduced to their new lives.
*Additional
**flat additions to the base value
**sum with each other
*Percent Increased/Reduced the base value
**Percent change
*Percent More/Less the modified value
**Applied after increased/reduced


=== Act 1 Summary ===
* The act establishes the protagonist's familiar world, then shatters it through a network break. Emotional arc: From superficial security to forced vulnerability and loss of agency. Key shift: Involuntary isolation launches the journey.


== Act 2 – Confrontation / Search (Chapters 3 thru 60) ==
#Sum all Added and Base values -> 10
Rising action, gathering allies, trials → Midpoint shift → Dark Night low
#Sum all Increased into one multiplier -> 1.45
#Multiply Added/Base total x Increased multiplier ->10x1.45=14.5
#Multiply by each More separately -> 14.5 x 1.05 x 1.3 x 1.1 = 21.77
#Multiply by Amplified separately


=== Search Phase – Isolation, Risk, Rebuilding Attempts ===
* '''Isolation, Danger, Risk''' 
  Immediate and ongoing threats, dodging dangers, reacting to the environment, dealing with consequences of a new life. Fear, disorientation, and grief over broken network and a growing realization that going it alone isn't sustainable.


*Chapter 2
===Naval Combat===
*Chapter 3
*Long Range (up to 250,000 km) -- lasers + railguns
*Missile Range (up to 1,000,000 km)
*Close range (under 20,000 km) --ion beams


'''Search & Disguise/Subversion''' 
    *ion beams are short range, but cause massive internal thermal and radiation effects.
  Conor actively searches for answers, tools, and people who can help. Allies appear, sometimes reluctantly, and begin forming connections. Midpoint (~50%): Key ally or realization shifts focus from solo struggle to networked progress.  


*Chapter X
*Chapter X


'''Attempt to Rebuild Community''' 
===Marine Hierarchy===
  With allies in place, Conor actively works to unify and strengthen the new network: delegating tasks, negotiating compromises, prodding people forward, resolving internal conflicts, and building shared goals. Conor and allies are learning to trust, communicate, and leverage others' strengths. Seeds for the Dark Knight are planted here: hints of betrayal, a weak link, or an overwhelming threat that could shatter everything.
*Fire Team
*Squad
*Platoon
*Company
*Battalion
*Regiment
*Brigade (1st Sylvan Marines)
*Division


*Chapter X
*Chapter X


'''Plot Point 2 / Dark Night (End of Act 2):''' 
  Lowest point. The new network falters, old wounds reopen, or a major compromise appears impossible. The protagonist faces the threat of total isolation or collective failure. The fear isn't "I can't do this alone"—it's "We can't do this together, or everyone I care about will suffer because of it." In Carriger's relational framework, the Dark Night is collective and connection-based: everything the protagonist has gained through compromise, delegation, trust, and building bonds seems doomed. The stakes feel insurmountable because the problem threatens not just the protagonist, but the entire group they've come to rely on and care for.


*Chapter X
*Chapter X


=== Act 2 Summary ===
The act centers on searching and fragile alliance-building amid escalating stakes. Emotional arc: From reactive isolation to proactive connection-building, peaking at hope then crashing into despair. Key shift: The dark night tests trust and reliance on others.


== Act 3 – Resolution / Ascent (Chapter 61 thru 80) ==
navy will perform air cavalry and troop transport role with gunships. I need to flesh out the marine recon role.
Climax → Negotiated Victory → New Equilibrium


=== Ascent Phase – Success, Negotiation, New Network ===
Increase the length of the prologue, to have more fleeing, near death experiences, etc.,
'''Success in the Search''' 
  Conor and allies finally achieve the core goal of their long search from Act 2. The success comes from the combined strength of the network: not one person carries the win alone.  


*Chapter X
Add the character artwork as commissions prior to a design change for the uniforms. They'll serve as bonus artwork on the special edition hardcovers.
*Chapter X
<br>
Here is a list of [[:Category:Characters|characters]]


'''Negotiations & Compromises That Benefit All''' 
Here is a list of [[:Category:Terran Warship|warships]]
  Final deals or agreements bridge remaining divides. Lingering internal/external conflicts are resolved. Tone: Relief, maturity, quiet triumph.


*Chapter X
Here are the [[Species and Professions|Species and Professions]].
*Chapter X


'''New Network Re-Established (Altered Form)''' 
http://robertplewis.com/index.php/Category:Naval_Weapons
  The community/found family is reborn stronger and more deeply connected than ever. The wider world benefits.


*Chapter X
http://robertplewis.com/index.php/System_Titles
*Chapter X
 
'''Final Image / Return:''' 
  The protagonist exists within a renewed, thriving network, viewing the world through the lens of connection. Peace is achieved through unity.
 
*Chapter X
*Chapter X
 
=== Act 3 Summary ===
The act delivers collective triumph and restoration. Emotional arc: From despair to empowered unity and hope. Key shift: Victory reinforces that true strength lies in interdependence; the community is transformed.

Latest revision as of 20:51, 6 August 2026

Comprehensive Editing Pass Checklist

1. Developmental / Substantive Editing

Big-picture work. Focus on whether the story works as a whole before polishing language.

Structure & Plot

  • Check overall plot structure (beginning, middle, end; rising action, climax, resolution).
  • Evaluate pacing of the story as a whole (too slow? too rushed? sagging middle?).
  • Ensure major plot points land with proper setup and payoff.
  • Look for plot holes, unresolved threads, or logic gaps.
  • Confirm cause-and-effect chain of events feels natural.

Characters

  • Verify character arcs feel complete and earned.
  • Check consistency of character personality, voice, goals, and motivations.
  • Ensure characters change (or deliberately don’t) in believable ways.
  • Watch for characters acting out of character without good reason.

Scenes & Grounding

  • Make sure every scene has a clear purpose (advances plot, develops character, or deepens theme).
  • Ground dialogue — Avoid “dialogues in a vacuum.” For every conversation, check that “what’s going on around them” is present: action beats, body language, setting details, sensory information, and what characters are doing while they talk.
  • Ensure scenes feel fully rendered and immersive rather than floating heads talking.
  • Check transitions between scenes for smoothness.

Themes

  • Confirm core themes (friendship, duty, perseverance, etc.) are actually present and woven through the story.
  • Look for opportunities to strengthen thematic resonance through character choices, conflicts, symbols, or plot events.
  • Ensure themes emerge organically rather than being stated too bluntly.

Point of View & Perspective

  • Check POV consistency (no head-hopping unless intentional).
  • Ensure the chosen POV serves the story and character.
  • Verify the narrative distance feels appropriate.

World & Continuity

  • Check internal consistency of world-building, rules, timelines, and details.
  • Flag any contradictions in setting, magic/technology systems, or established facts.

2. Line Editing

Sentence- and paragraph-level work. Focus on how the writing reads and feels.

  • Improve flow and rhythm of sentences and paragraphs.
  • Strengthen word choice (replace weak, vague, or repetitive words).
  • Tighten prose — cut unnecessary words, filler, and redundancy.
  • Enhance clarity and precision of meaning.
  • Preserve and strengthen the author’s voice and tone.
  • Smooth awkward phrasing or clunky constructions.
  • Adjust sentence variety and length for better pacing within scenes.
  • Ensure emotional beats and subtext land effectively.
  • Balance dialogue with narrative and description so neither overwhelms the other.
  • Check that descriptions and action feel vivid without overwriting.

3. Copy Editing

Technical correctness and consistency. Focus on rules and polish.

  • Correct grammar, spelling, and punctuation.
  • Fix syntax issues and unclear sentence structures.
  • Ensure consistency of names, terms, capitalization, hyphenation, and spelling (create/update a style sheet).
  • Apply a chosen style guide (e.g., Chicago Manual of Style).
  • Check for consistency in numbers, dates, measurements, and formatting.
  • Light fact-checking of real-world details, timelines, and continuity.
  • Verify dialogue punctuation and attribution are correct and consistent.
  • Flag remaining continuity or logic issues that slipped through earlier passes.

4. Proofreading

Final surface-level check after all revisions are complete.

  • Catch remaining typos, misspellings, and missing/extra words.
  • Check for repeated or missing punctuation.
  • Verify formatting (paragraph breaks, scene breaks, italics, etc.).
  • Look for layout issues if the text is already typeset (widows, orphans, bad breaks).
  • Do a final read-aloud pass for anything that still sounds off.

Scratch Pad

  • Additional
    • flat additions to the base value
    • sum with each other
  • Percent Increased/Reduced the base value
    • Percent change
  • Percent More/Less the modified value
    • Applied after increased/reduced


  1. Sum all Added and Base values -> 10
  2. Sum all Increased into one multiplier -> 1.45
  3. Multiply Added/Base total x Increased multiplier ->10x1.45=14.5
  4. Multiply by each More separately -> 14.5 x 1.05 x 1.3 x 1.1 = 21.77
  5. Multiply by Amplified separately


Naval Combat

  • Long Range (up to 250,000 km) -- lasers + railguns
  • Missile Range (up to 1,000,000 km)
  • Close range (under 20,000 km) --ion beams
    *ion beams are short range, but cause massive internal thermal and radiation effects.


Marine Hierarchy

  • Fire Team
  • Squad
  • Platoon
  • Company
  • Battalion
  • Regiment
  • Brigade (1st Sylvan Marines)
  • Division



navy will perform air cavalry and troop transport role with gunships. I need to flesh out the marine recon role.

Increase the length of the prologue, to have more fleeing, near death experiences, etc.,

Add the character artwork as commissions prior to a design change for the uniforms. They'll serve as bonus artwork on the special edition hardcovers.
Here is a list of characters

Here is a list of warships

Here are the Species and Professions.

http://robertplewis.com/index.php/Category:Naval_Weapons

http://robertplewis.com/index.php/System_Titles